This staged version shares many elements with the 1951 film. The Gershwins’ score is glorious, the dancing superb and the plot—an ex-G.I. stays on in Paris after World…
Brad Zimmerman’s 90-minute one-man play abounds with insightful observations about second chances and self-realization. The funniest segment revolves around 29 unsatisfying years of waiting tables, including a sharp…