Ronald Leopold, director of the Anne Frank House in Amsterdam, discusses the new exhibition that recreates the annex rooms where Anne and her family hid for two years.

After October 7, Anne’s diary merits rereading as a siren alerting us to the malevolent potential of antisemitism anywhere.

Dina Kraft shares her experiencing collecting Holocaust survivor Hannah Pick-Goslar’s memories for her new memoir, ‘My Friend Anne Frank.’

Israel is the difference between a young Jewish life threatened in the 1930s and today.

Could Anne Frank be the key to educating Gen Z Americans about antisemitism—even if they’ve never met a Jew?

At its core, People Love Dead Jews is a meditation on time and identity in which Horn ultimately reasserts the vitality of Jewish life.

This year, the artist seemed to dabble in Holocaust denial when she wrote: “Anne Frank died of typhus so she was never murdered.”

Readers are invited into two brightly entertaining novels, and once engrossed, the door quietly closes and traps them in stories of gravity that can’t be put down.