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Community + Faith

Lessons From the Pandemic on Caring for the Sick and Dying

by Dayle A. Friedman

How can we be present when we cannot get near those suffering?

Hannah Senesh Archives to Go Online

by Renee Ghert-Zand

The site will include thousands of digitized images of original documents and items recently donated by her family.

‘Camp Is Not the Hilton Hotel’

Through re-reading my old camp letters, I could hear the voices of my mother and grandmothers and feel their presence once again.

Magazine Discussion Group Featuring Tovah Feldshuh

Tovah Feldshuh: From Golda to Dr. Ruth: Portraying Iconic Jewish Women.

‘American Ninja Warrior’ Liba Yoffe Is ‘Small But Mighty’

by Jennifer Lovy

Yoffe, who dresses modestly and wears a sheitel when competing, says that appearing on 'American Ninja Warrior' is the bravest thing she's ever done.

Chosen by Choice

by Hilary Danailova

Since December 2020, Los Angeles-based New York Times correspondent Nellie Bowles has been chronicling the joys and challenges of her conversion journey to Judaism.

Being Jewish
Family

What It Means to Welcome Strangers Into Your Home

by Annabelle Gurwitch

Why had I invited two homeless strangers and their bunny rabbit into my house?

Orthodox Women Still Abuzz Over Appointment of Rabbanit

by Talia Liben Yarmush

The latest breakthrough for Orthodox women has set Jewish Facebook groups abuzz.

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Dec 6

Dec 6, 1889: #onthisday in #jewesshistory, Celia Feinman Adler Forman, known known as the "First Lady of the Yiddish theater” was born in New York City. ⁠
⁠
Born as Tzirele Adler to British actress Dina Shtettin, who left her Orthodox family to join the theater world, and Jacob P. Adler, the Yiddish theater star who founded a theatrical dynasty. Among her half-siblings were noted actors Jay Adler, Luther Adler and Stella Adler. ⁠
⁠
In 1919, Adler, a Zionist, helped open the first Yiddish Art Theater and wrote the two-volume study, “The Yiddish Theater in America." When “the Dybbuk” came to the New York Yiddish Art Theater, Adler starred as Leah, the woman who is possessed by a dybbuk. ⁠
⁠
In 1937, Celia starred in the Yiddish film “Where Is My Child?” ("Vu iz mayn kind?”). She also gave one of the earliest theatrical portrayals of a Holocaust survivor in her half-brother Luther Adler’s 1946 Broadway production of “A Flag is Born.” ⁠
⁠
Three men were fortunate enough to wed the “dramatic soubrette”—so called by Carl Van Vechten. In 1915 Adler married actor Lazar Freed and later said “I do” to her manager, Jack Cone, in 1930. After her second husband’s death in 1959, she married New York businessman Nathan Forman. He died a week before Adler. ⁠
⁠
Her last film was “Naked City” (1948) and the actress’ last Broadway show was the 1961 drama “Women in Horseradish.” In the aftermath of World War II, Adler gave performances to American troops in English and Yiddish. �⁠
⁠
“Mrs. Forman was sustained by an enormous creative energy throughout her life and an unflagging devotion to Jewish drama, becoming its foremost female exponent,” Joan Cook wrote in a 1979 New York Times obituary. ⁠
⁠
Celia died on January 31, 1979 after suffering a heart attack. A week before she died at the Hebrew Home, Adler performed a one-act monologue and was already preparing for her next act. She is buried in the Yiddish Theater Section of Mount Hebron Cemetery in NYC.

Dec 6, 1889: #onthisday in #jewesshistory, Celia Feinman Adler Forman, known known as the "First Lady of the Yiddish theater” was born in New York City. ⁠
⁠
Born as Tzirele Adler to British actress Dina Shtettin, who left her Orthodox family to join the theater world, and Jacob P. Adler, the Yiddish theater star who founded a theatrical dynasty. Among her half-siblings were noted actors Jay Adler, Luther Adler and Stella Adler. ⁠
⁠
In 1919, Adler, a Zionist, helped open the first Yiddish Art Theater and wrote the two-volume study, “The Yiddish Theater in America." When “the Dybbuk” came to the New York Yiddish Art Theater, Adler starred as Leah, the woman who is possessed by a dybbuk. ⁠
⁠
In 1937, Celia starred in the Yiddish film “Where Is My Child?” ("Vu iz mayn kind?”). She also gave one of the earliest theatrical portrayals of a Holocaust survivor in her half-brother Luther Adler’s 1946 Broadway production of “A Flag is Born.” ⁠
⁠
Three men were fortunate enough to wed the “dramatic soubrette”—so called by Carl Van Vechten. In 1915 Adler married actor Lazar Freed and later said “I do” to her manager, Jack Cone, in 1930. After her second husband’s death in 1959, she married New York businessman Nathan Forman. He died a week before Adler. ⁠
⁠
Her last film was “Naked City” (1948) and the actress’ last Broadway show was the 1961 drama “Women in Horseradish.” In the aftermath of World War II, Adler gave performances to American troops in English and Yiddish. �⁠
⁠
“Mrs. Forman was sustained by an enormous creative energy throughout her life and an unflagging devotion to Jewish drama, becoming its foremost female exponent,” Joan Cook wrote in a 1979 New York Times obituary. ⁠
⁠
Celia died on January 31, 1979 after suffering a heart attack. A week before she died at the Hebrew Home, Adler performed a one-act monologue and was already preparing for her next act. She is buried in the Yiddish Theater Section of Mount Hebron Cemetery in NYC. ...

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